CONVERSATIONS WITH ETERNITY:
The Forgotten Masterpiece
of Victor Hugo

Translated by John Chambers
with an Introduction by Martin Ebon

ISBN # 1-892138-01-8.  $13.95.  Ill.  262 pages. 1998.

In January 2008, Inner Traditions/Bear, of Rochester, VT <http://www.innertraditions.com> published a greatly revised and expanded edition of Conversations with Eternity under the title Victor Hugo's Conversations with the Spirit World: A Literary Genius's Hidden Life.  For details, click HERE.

In 1853-55, while in political exile on the English Channel island of Jersey, the great French writer Victor Hugo allegedly communicated in table-tapping séances with over 115  "spirits."   These spirits included representatives of the illustrious dead, such as Shakespeare and Galileo; legendary animals like The Lion of Androcles and Balaam's Ass; entities who claimed they'd never been alive, like the Shadow of the Sepulcher and Death;  "abstract" concepts, like Metempsychosis, India, and The Novel; and aliens from the planets Mercury and Jupiter.  Conversations With Eternity is the first ever translation of these  transcripts into English.  Conversations With Eternity has been translated into eight languages.

"Presented here is a whole 'nother side to the incredible mind that wrote Les Misérables.  Recorded during his three-year exile on the Isle of Jersey using the séance method of table-tapping, this 'channeled' conversation reveals a particularly unusual spiritual experience in the renowned 19th-century French writer's life.  Covering everything from Hugo's beloved daughter, who had died, to the subject of Napoleon and a brush with Galileo, lively bantering with Sir Walter Scott, 'Death,' the planet Mercury, and many other subjects, the book makes you feel like an ambitious yet misguided archeologist who accidentally unearths the ancient text that provides a spiritual Missing Link.  Read it, love it, share it, talk about it; most of all, have fun with it.  This is a total adventure, and I would give my eyeteeth to have been  there!"  -  T.E., NAPRA REVIEW, May-June, 1999. 

"Few people are aware that while in exile on the island of Jersey, the great French writer Victor Hugo channeled thousands of messages from the dead. 'This emotional experience lasted for over two years,' writes Martin Ebon in the introduction, 'and the record of its exalted nights and days is certainly a unique document, as well as a glimpse into the subconscious of an egocentric, frustrated genius, seeking to crash through the barriers of human communication. And who knows? It may even be that Hugo succeeded.'   This book translates a good deal of Hugo's channeling into English for the first time.  Stitching it all together--and providing the much-needed history and perspective--is John Chambers's brilliant running commentary. Quite a surprise, quite a delight." - Patrick Huyghe, Editor, ANOMALIST.   

From The Age of Seance: "Another great Victorian-epoch writer was less public in his espousal of spiritualism but no less fervent. Conversations With Eternity is a distillation of transcripts of table-turning sessions carried out by Victor Hugo and family while in exile on Jersey. The notes were lost in various archives until 1923, when they were collated and published in French. This is their first publication in English.
    "The Hugos fled the tyrannical regime of Napoleon III in 1851, and having arrived in Jersey, set about holding seances. It seems likely that Hugo’s interest in this activity was precipitated by the death, nine years earlier, of his daughter Leopoldine. Equally, boredom may have played a part. For two years the family were in nightly contact with the ethereal realm, and Conversations With Eternity details the results of their sessions.
    "Anyone wishing to see the problems that researchers such as William James were up against need look no further than this book. Various spirits, including the shades of such luminaries as Hannibal and Shakespeare, visited the Hugos to convey statements of either mind-numbing banality or bewildering obscurity, sometimes both at once. The one, just-about-coherent theme that emerges from this book is the notion of the world as a prison for human souls, who become reincarnated as lesser organisms if their owners were insufficiently well-behaved during their lives. This leads to a lot of high-flown, repetitious gobbledygook and amusing assertions such as: 'The plant is the grimmest of the soul’s prisons. The lily is sheer hell.'
    "What Conversations With Eternity does well, with its Channel Island channellings, is reinforce the frustrating truth about seances and mediumship. Believers will find much to convince them in the evidence it presents. Unbelievers will not.
     "Nowadays spiritualism has become part of the paranormal subculture. It and all its New Age-y and Fortean ilk are tolerated but not subjected to any great level of scrutiny. Perhaps that is because, despite our rationalist era, many of us remain in thrall to the hope that deceased loved ones are waiting for us in the next world. We find it hard to accept that life reaches a full stop; we feel there must be, at the very least, a coda, if not a whole new open-ended sentence … " - James Lovegrove, from The Age of Seance, The Financial Times, March 8, 2008.

..Truly great and deserve[s] to be in every library, both public and private.   Dec.  14, 2003."This remarkable book deals with the spiritualistic track record of Victor Hugo, when he had moved to the island of Jersey for political reasons.
      "This is a remarkable and truly fascinating account of the life of the great writer and poet, and in  a sense of the troubled times during which he lived and wrote.
     "Turning to spiritualism at one point and the then-popular practice of table  turning to make and receive contacts with the alleged spirit world, this book, translating all this, is a most valuable contribution to the world of Hugo and his time.
      "Today, we take a somewhat different view of table turning and spiritualism, and demand hard scientific evidence instead of blind belief. 
      "The introduction by Martin Ebon, one-time right-hand man and aide to the late great medium Eileen Garrett, is also a masterpiece of putting Mr. Chambers's translation of the Hugo material in its proper context.  One need also consider the research into the evidence for reincarnation in this connection, and, ultimately,  the standards prevailing today in scientific parapsychology.
      "But the work by Mr. Chambers and the introduction by Martin Ebon are truly great and deserve to be in every library, both public and private."    -  Prof. Dr.  Hans Holzer,  parapsychologist  and author of 126 books including Ghosts and Life Beyond Life

The translation and commentary ...is brilliant, honest, and accurate.  August 14, 2003.
      "For readers of the paranormal, this book will be a shocker with its vivid details, revelations, and intriguing approaches. Translated from French with commentary by John Chambers, and with an introduction to who Victor Hugo was by Martin Ebon, this books makes for fascinating reading.
     "Victor Hugo wrote many novels, the most famous being Les Misrables. During Hugo's exile during 1853 - 1855 on the island of Jersey, he channeled thousands of messages from the famous dead. These spirits from beyond the grave and other star systems revealed to Hugo the existence of powerful energies. They told Hugo they were attempting to raise the vibrational level of the earth to a higher plane. These messages were 150 years ahead of their time, and in this book the reader comes to understand the challenges and potential of these important messages that were channeled through Victor Hugo.
      "Long out of print, it is now available again. The translation and commentary by John Chambers is brilliant, honest, and accurate. The introduction by Martin Ebon is flawless, in style and in intent. This is the type of book that needs to be placed in the home library for reference and in the public library for those patrons interested in the paranormal.
      "The book contains 22 chapters and opens with data to tell who the messengers were, the way of contact, and what they represented in terms of paranormal contact. The chapters are "Journeys to the Afterworld," "Hannibal Storms the Turning Tables," "Metempsychosis Speaks," "The Haunting of Victor Hugo," "The Secret World of Animals," "Roarings of Ocean and Comet," "Voyage to the Planet Mercury," "Galileo on the Unexplainable," among others. At the conclusion of this fine reference work is a section on the works consulted during the translation of the work.
"This is a superb nonfiction book. Much praise is due John Chambers for his masterful and accurate translation and incisive commentary. Highly recommended."   - Review by Lee Prosser - leep@ghostvillage.com - Ghostvillage.com review

"...Informative commentary by translator John Chambers is an invaluable assist for the reader. Conversations With Eternity is superb reading and a splendid addition to the growing body of metaphysical literature available to the English-speaking public today."  - Sharon Stuart, MIDWEST REVIEW, Feb., 1999:

"In 1851 the French writer Victor Hugo escaped the tyranny of Napoleon III only to end up on the dismal Jersey islands in the English Channel. Hugo and his family whiled away their exile by contacting famous and other dead spirits floating around in the ether.  The Hugos and their exiled neighbors employed table tapping to convey the messages of these beings, including the likes of Shakespeare, Hannibal, and the ancient Greek poet Anacreon, among others. Hugo personally transcribed the messages and kept records of these unusual communications.  In Conversations with Eternity, John Chambers has translated these otherworldly communiqués into English for the first time.  Reading this work allows one to view the nineteenth century from a refreshingly multi-dimensional perspective. The history is presented not with a dreary reporting of mere facts and dates, but rather with something that is strangely alive, pregnant with a timely spiritual urgency.  Many of the spirits insisted to Hugo and his séance clique that humanity must raise its vibratory level in order to hasten its evolution toward light--a message also found in contemporary channeled works such as The Pleiadian Agenda and Bringers of the Dawn.  The Hugo family's unusually bright social circle seemed to attract a wide range of spirits who often poetically surpassed their Earthbound audience.  For example, poet André Chénier eloquently described from beyond his 1794 execution by guillotine:  'A luminous line separates my head from my body.  It is an alive and feeling wound, which is receiving the kiss of God.  Death appears to me simultaneously on the earth and in the sky; while my body, transfigured by the tomb, plunges into the beatitudes of eternity...'    Conversations With Eternity is replete with channeled gems like the above, perfect for any jaded history buff looking for a new perspective on the past as well as the future."  -  Jaye C. Beldo, FATE , May, 1999.

"In exile on Jersey, with ''Ocean," sky, and sadness shaping the emotional environment, Victor Hugo took up the newly popular practice of spiritism ("table turning").  Between 1853 and 1855, he, his family and friends recorded conversations with over a hundred of the illustrious dead.  Aeschylus, Plato, Christ, Mahomet, Dante, Machiavelli, Molière, Shakespeare, Voltaire, Mozart, André Chénier, Byron, and Walter Scott spoke, as well as Balaam's Ass, Death, Metempsychosis, and Ocean.  Few people give credence to conversations with the dead, believing that most visionaries, mystics and eccentrics who report them are seeking support for personal agendas.  In Hugo's case, in a gross simplification, his agenda appears to be enhancing humankind's spiritual resources through instructing the world in a gospel of redemption.  Through sin we have blemished God's creation, blighted our lives and become "imprisoned souls."  Through reincarnations, we can finally ascend into "worlds of reward" or will descend into "punitary worlds."  The theme, however, is by no means so straightforward.  An often skeptical Hugo questioned the immortals (or so they chose to speak) on an amazing range of other topics--some as specialized as the deficiencies of Racine's classical plays.  Challenging, memorable, poetic utterances abound. The reader's journey is not easy, but much guidance is given.  Martin Ebon ("dean of writers on the paranormal") provides a useful historical Introduction.  John Chambers (the translator) does much to define operating conditions, explain process, and analyze themes and development in the conversations.  Nevertheless, problems abound. The hand-activated table gave one tap for "a" and 26 for "z."  Thus the time and effort required for "receiving" answers seems impossible.  Did making fair copies of the en séance notes promote unlimited "automatic writing" in which Hugo's untrammeled imagination took over?  The poet-author of the brilliant Hernani, The Hunchback of Notre Dame, Napoleon the Small and so much else certainly had a compulsion to write and teach.  Not the least interesting element of this strange but well-structured book is Chambers's expansion and exploration of home-grown spiritism through skillful reconstruction of channeling, Gaia, quantum holography, the Great Chain of Being, James Merrill's The Changing Light at Sandover, and Cao Dai (the contemporary Vietnamese "Third Alliance between God and Man" and repository of Hugolian religious thought).  This is a book for the curious.  If open-minded, they will forgive the misdating of Julius II, consult the book's bibliography, and also read Graham Robb's fine new biography of Hugo."   - Peter Skinner, FOREWORD, February, 1999.

"RATING: 3 OUT OF 4 STARS. THE BEST BOOK ON CHANNELING FOR YEARS--RECEIVE IT NOW!
"In December, 1851, Victor Hugo was in danger of arrest under the increasingly tyrannical regime of Napoleon III. Trailing a stream of camp-followers, the Hugo family fled from France to live for three years in exile in Jersey. This was the beginning of a 19-year absence from France, most of this being spent on the island of Guernsey. Ten years prior to Hugo's flight, his 19-year-old married daughter Léopoldine, pregnant at the time, had drowned with her husband whilst boating in the Seine. Returning from Spain, Hugo read of his daughter's death in a newspaper glimpsed by accident in a Soubise cafe.   As earlier that same day Hugo had visited the mummified bodies in the charnel house of Saint-Michael's Church, his terrible loss and the eerie reminder of death affected him so profoundly that he developed an increasing interest in the occult. He came to believe that personality (or some form of it) survived death. From September 1853 to October 1855, Hugo and his circle, through the interpretation of table-tappings, received messages from all manner of spirit beings, ranging from Machiavelli, Shakespeare, Aeschylus and Napoleon, to Galileo, Aristophanes, Moses, Byron, Jesus Christ, Socrates, Joan of Arc, and even the Ass of Balaam. This is a judicious selection by John Chambers of material previously unavailable in English."  - Colin Bennett, FORTEAN TIMES, January, 2000.

"Readers of this journal will undoubtedly be familiar with the phenomena of channeling.  From the well-known Seth material of Jane Roberts to the popular Ramtha phenomenon of the seventies, channeling has brought us such bizarre works as the Urantia Book and the remarkable Course in Miracles.  But here is a book of channeled material which is a century older and which occurred in the presence of a famous author.  It was August of 1853 that Victor Hugo arrived with his family on the island of Jersey, five miles off the French coast in the English Channel.  Six years prior, in Hydesville, New York, the Fox sisters had heard loud raps which were interpreted as messages from the deceased.  Almost immediately, conversing with the dead by means of tapping out messages by a table leg knocking on the floor a number of times for each letter mushroomed into a world-wide Spiritualist fad to which even the French upper class turned with enthusiastic passion.  Ten years earlier in his life, in September of 1843, Hugo's beloved daughter Léopoldine, only 19 years old and three months pregnant, had drowned with her husband in the river Seine.  So when on Sunday, September 11, 1853, the table tapped out the name "Léopoldine," even the skeptical Victor Hugo was overcome by emotion.  For the ensuing two years he would be intimately involved in the turning tables of the séances.  From Martin Ebon's beautifully written and highly informative Introduction to John Chambers' weaving of relevant contemporary channeled material as commentary on the Hugo family experiences, this book provides an exciting journey to those interested in psychical phenomena.  Whether the table rapping phenomena was, in fact, communication with those claiming to be well-known historical figures such as Rousseau, Hannibal, Luther, Galileo, Shakespeare, Mohammed, even Jesus, among others, or whether the channeling can be explained as the working of the subconscious mind of those present at the séances, fascinating ideas are presented: we are told that ancient Carthage was founded by survivors from Atlantis; that everything--human, animal, plant, and mineral--has a soul; that existence on earth is punishment for injustice committed in previous incarnations.  From the spirit claiming to be André Chénier (1762-1794), who was guillotined for his royalist sympathies, we are given a full description of his immediate after-death experience; from a spirit claiming to be Shakespeare, that "Art walks to heaven's door, but only love may enter;" from a spirit claiming to be Martin Luther that "doubt is the instrument which forges the human spirit."  According to certain spirits, animals are criminals being punished for their transgressions; other beings offer descriptions of semi-corporeal life on Mercury and Jupiter.  Metempsychosis is a cosmic reality.  Thus we are enjoined to honor and love animals and all the so-called lower species.  Chambers relates the Hugo channeled material to contemporary channeled works such as Patricia Pereira's Songs of the Arcturians, Eagles of the New Dawn and Songs of Malantor, and James Merrill's The Changing Light at Sandover.  Moreover, he claims to see in the material ideas in physics which only recently have come to be accepted.  I, however, am skeptical, first, because the information shared by supposedly knowledgeable spirits is, to me, disappointing in its specific content; second, because I wonder whether forces of nature are able to communicate with such clarity to the human mind; and, third, at least in English, the messages seem remarkably too similar in their beautiful style.  Could they have been the product of Hugo's subconscious or super-conscious minds communicating with those holding the table?  In any case, the content of the book does fascinate and challenge the reader.  Remember that it was after these experiences that Hugo wrote his remarkable Les Misérables.  Clearly the experiences on Jersey had a profound effect on Hugo's later writings and thoughts.  For those interested in Victor Hugo and his works, or in the phenomenon of channeling, I would recommend this book."  - John F. Miller, III, Ph.D,  JOURNAL OF RELIGION AND PSYCHICAL RESEARCH, Vol. 23, No.1, January, 2000 .

"VERY WORTHWHILE--A PLEASANT SURPRISE. - I knew the bare minimum about Hugo and approached this book with low expectations of typical channeled inanities, which can be very tedious to read. However, the book considerably exceeded my expectations. The channeled portions are generally short, well-organized and interwoven with a great deal of information about Hugo himself and the circumstances under which the communications were received (as well as some discussion of the way that these communications relate to other channeled communications). The communications themselves (which were received through a planchette) are distinctly odd, and some have the ring of truth. In a nutshell, they suggest that animals, plants and even stones have a soul or consciousness of some sort and that reincarnation may occur across the entire spectrum from mineral to human. The circumstances under which the communications were received, involving other family members and unrelated guests, tend to cut against the possibility of them all being the product of Hugo’s subconscious (or a conscious fraud on his part). The communications date from the very early days of Spiritualism (the 1850s) and are, if nothing else, quite different in content from those of some of the other early channellers such as Andrew Jackson Davis and Stainton Moses. The book certainly convinced me that Hugo was a far more complex and interesting character than I had previously realized. In short, this is a serious and intelligent piece of work and should be worthwhile reading for anyone with an interest in Hugo in particular or channeled communications in general. (The author refers several times to James Merrill’s long, partly channeled poetic trilogy, The Changing Light at Sandover, which is also very worthwhile and truly weird.)" - Reviewer: Lance B. Payette, Holbrook, Arizona, U.S.,  AMAZON.COM,  April 16, 2001.

Mind Expanding Dispensation via V. Hugo,  April 17, 2003. 
       "I had heard of this book for some time before actually reading it,  and when I finally ordered it and began my reading, I was off on the most amazing adventure of metaphysical ideas I've ever encountered.  For  a student of Spiritualism as well as the Alan Kardec inspired spiritualist philosophy known as Spiritism from a historical and sociological perspective, this book brings to life the intensity of those 19th century psychonauts who lived with human mortality in a much more immediate way than we do now;  it documents their explorations of one of the fundamental questions of existence--do we survive death.
        "And the answers to those pointed questions that were revealed to the Hugo circle during his period of exile from France are simply breathtaking. First,  in their sheer poetic verbal majesty, secondly, in the intimations of a universal mind that is both the embodiment of that "love which steers the stars" of Dante's "Divine Comedy,"  to the impersonal karmic justice that minimizes the inflated human ego in the scheme of things.
       " I cannot recommend this book highly enough, it will remain with you for thought & contemplation long after you've finished the final page." - Reviewer: Mark Newbold (see more about me) from Pittsburg, KS United States

"IS HE OFF HIS ROCKER? -  I am telling you, what a trip! Well, if you can believe it, the table did rock! Victor Hugo (1802-1885) is in exile on a lonely island and to pass time, he and his retinue conduct seances. Animals, of course, are the incarnations of criminals. (How good to know, that Stalin is now a dung beatle.) The Dove of the Ark had been guided by God to the landing place for Noah's gigantic boat. Not only animals, but also plants and stones, knew what crime they had committed. Why was such knowledge not granted to man? Animals are prisons of the soul. The animal sees man and glimpses the angels. Forgiveness is Noah's Ark. Well, I think this is worth reading, even though it comes down from another century. Be curious!" - Reviewer:  Gerborg Frick, Lake Orion, MI, AMAZON.COM,  October 17, 2001.

Summary of article, Conversazioni con l’Eternita: le Sedute di Jersey e Victor Hugo" ["Conversations with Eternity: The Jersey Seances and Victor Hugo"], by Cecilia Magnanensi.  "The writer refers to the mediumistic experiences of Victor Hugo, during his exile on the isle of Jersey (1853-1862), and presents a book edited by John Chambers (Conversations with Eternity: The Forgotten Masterpiece of Victor Hugo, with an introduction by Martin Ebon) on the mediumistic communications received at Jersey. The minutes of the seances were published only in 1923 by Gustave Simon, who was in possession of them. These texts have never been translated into Italian, so many people don’t know them. Chambers translated and commented on them, using the text of Jean Massin, Victor Hugo: Oeuvres Complètes. He also compared them with others obtained by high intellectual level mediumship. The writer of the aricle wants to point out the work of Chambers--soon available in Italian--for its validity, because the Jersey experiences are most important in the history of psychical research." - C.M., LUCE E OMBRA [LIGHT AND SHADOW] Vol. 100, Oct.-Dec., 2000, pp. 423-430, Bologna, Italy.

Variedades: VICTOR HUGO E O MUNDO DOS ESPÍRITOS

Cleide Cavalcante

Famoso em todo o mundo como autor de obras como Os miseráveis e O corcunda de Notre Dame, o escritor e poeta francês Victor Hugo (1802-1885) teve uma trajetória de vida bem interessante fora dos círculos literários. Este é o tema central de Conversando com a eternidade - a Inédita Obra-prima de Victor Hugo (Editora Madras), livro comentado por John Chambers e o primeiro trabalho sobre o assunto publicado em português. Segundo ele, o contato de Hugo com os espíritos teria inclusive, influenciado significativamente parte da obra do polêmico dramaturgo.
Tudo começou quando o escritor, ameaçado de morte pelo então regime vigente na França do século 19, sob a mão de ferro de Luís Napoleão Bonaparte (sobrinho do Grande Napoleão), decidiu bater em retirada para a Ilha de Jersey, perto do Canal da Mancha, a 40 quilômetros da França. Ele, a mulher, os filhos e a amante, Juliette Drouet, permaneceram 19 anos no exílio.

A Ilha de Jersey tinha um certo ar místico, entre as praias de ondas altas e rochedos entrecortados, espalhavam-se ruínas de castelos e de esculturas misteriosas, como as dos dólmens e menires, em pedra polida, que formavam círculos enigmáticos. "Olhando ao redor, sem muito interesse, ele mal podia imaginar que naquele local passaria dias e noites na companhia de almas de pessoas famosas e interessantes, que já haviam deixado o mundo material há muito tempo", ressalta John Chambers.

MESAS GIRATÓRIAS - Quando chegou à Ilha de Jersey, Victor Hugo recebeu a visita de uma amiga de infância, a jornalista Delphine de Girardin. E foi justamente ela que trouxe a notícia que iria mudar a vida do escritor e de sua família. Delphine informou a ele sobre a mais recente onda na alta-sociedade parisiense: conversar com os mortos com a ajuda de mesas giratórias.

A técnica mais tarde foi pesquisada por Hippolyte-Léon Dénizart-Rival batizado posteriormente (pelos próprios espíritos) de Allan Kardec, criador de uma filosofia universal o Espiritismo. "Em 1910, Sir Arthur Conan Doyle calculou que, no ano de 1850, havia 10 mil médiuns praticantes na América (na época, a população total dos Estados Unidos era de 23 milhões)", afirma. Justamente no ano de 1853, quando Victor Hugo mudou-se para o exílio, emergia na França este novo movimento religioso-oculto.

Entretanto, Victor Hugo demonstrou bastante ceticismo, não acreditava que as mesas giratórias pudessem de fato "conversar" com ele. Mas mesmo assim, Victor decidiu participar de uma sessão. O grupo era formado por Vacquerie, Mme. De Gerardin, Adle, Charles e Victor-François Hugo, o general Flô e Pierre de Treveneuc.

Surpreendentemente, um contato foi possível logo na primeira sessão de Hugo - nem sempre isso acontecia. No começo, levaram na brincadeira. Depois a "conversa" ganhou um tom mais sério. "A mesa soletrou: Leopoldine. O grupo sentiu como se uma terrível angústia sobrenatural pairasse sobre eles. Charles Hugo manteve suficiente autocontrole para fazer perguntas a sua irmã", relata Chambers.

SOMBRA - "A opinião final de Victor Hugo parece ter sido de que os espíritos realmente existiam, ainda que fossem, talvez, facetas de uma única entidade, a qual ele denominava Sombra do Sepulcro. Hugo jamais deixou de se fascinar com o rico conteúdo das comunicações, sugerindo em setembro de 1854 que os transcritos das sessões espíritas se tornariam as Bíblias do futuro", frisa Chambers.

Outro que falou através das mesas giratórias foi o poeta francês André Chénier, sobre a política da Revolução Francesa e sobre o conceito de Deus com relação aos homens: "Todo universo físico é uma prisão e que todo ser humano é um condenado de Deus".

"Quando uma pessoa morre, assume imediatamente a idade de todos os que já morreram ou seja, a eternidade. No céu, não há primeiro nem último a chegar. Todos têm apenas um segundo de vida, e esse segundo dura cem mil anos", a afirmação teria sido de ninguém menos do que o famoso William Shakespeare (1564-1616) em janeiro de 1854.

Morte foi o nome de um espírito que falou a Victor Hugo em setembro de 1854. Morte teria aconselhado a ele que deixasse estipulado em seu testamento que algumas de suas obras só poderiam ser publicadas após 20, 40, 60 anos de sua morte. "Os espíritos sentiam que uma boa parte do material de Victor Hugo não seria compreendido por muitos anos. E achavam que seu legado literário deveria ser divulgado em tempos de crise, quando as pessoas estariam prontas para ouvir o que ele tinha a dizer", lembra Chambres. "Victor Hugo concordou."

Ao final da obra, Chambers afirma que a experiência relatada por Victor Hugo com as mesas giratórias foram, e ainda são, alvo de críticas em todo o mundo. Afinal, para transmitir a letra ‘Z", por exemplo, a mesa teria de bater a perna 26 vezes. "Mesmo as mensagens mais simples levariam um tempo enorme para serem publicadas."